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Original News Release




June 5, 2009

Office of the Premier

BC Achievement Foundation





An independent jury panel selects the recipients of the BC Creative Achievement Award for Aboriginal Art. The 2009 jury members are: Candice Hopkins, Carcross Tagish Nation, Sobey Curatorial Resident, Indigenous Art, National Gallery of Canada and past director/curator Western Front Exhibitions; Barbara Marchand of Armstrong, Okanagan Nation, artist and past recipient of a BC Creative Achievement Award for Aboriginal Art; Bill McLennan of Vancouver, curator, Pacific Northwest, UBC Museum of Anthropology and Marianne Nicolson, Dzawada’enuxw, artist and past recipient of a BC Creative Achievement Award for Aboriginal Art.  Dr. Robert Belton, dean of creative and critical studies at UBC Okanagan, was the non-voting chair of the panel.



Calvin Hunt, Kwakiutl

Port Hardy

An artist, leader, and role model, Calvin Hunt creates traditional Northwest Coast Indian art forms that embody his personalized artistic style. A talented and skilled carver, Calvin is best known for creating traditional canoes that bring the community together in voyages of celebration, totem poles that honour his ancestors and encourage young people in his traditional home of Fort Rupert, and large transformation masks and costumes that help bring stories and legends to life. Calvin also works in a number of other mediums, including silk-screen printing, dance screens, jewelry, and stone carving.  His artwork can be found in galleries and private collections worldwide.



Richard Hunt, Kwakiutl


A master carver, Richard Hunt works in wood, paper, canvas and precious metals, creating art pieces that are influenced by his Kwa-gulth culture and tradition. His work in totems, drums, masks, prints and bowls can be found in public and private collections and galleries around the world. Richard began carving with his father at the age of 13, later following in his father’s footsteps as chief carver in the Thunderbird carving program at the BC Provincial Museum. Richard designed the medals for the Pan Am Games held in Victoria and participated in the design and carving of the Queen’s Baton for the Commonwealth Games. Richard is a generous supporter of his community through contributions of his work for worthy causes. For his contributions to First Nations’ art and to his community, Richard has been appointed a member of the Order of Canada and the Order of British Columbia and has been elected to the Royal Academy of Arts.


John Marston, Chemainus


John Marston is a young Salish artist who over the past 15 years has become one of B.C.’s most important new First Nations artists. A carver schooled in traditional practices, John has developed his own style of carving that reflects the legends and stories of the Coast Salish people. His outstanding work in bent boxes shows imagination and attention to detail. John’s belief in the importance of cross-cultural experiences has taken him on travels to Papua, New Guinea and Japan. At home, John is establishing a workshop for young First Nations artists.



Noeleen McQuary, Carrier Nadleh Whut’en


Noeleen McQuary, who resides on the shore of Fraser Lake, is a master basket maker working with birch bark and spruce roots. Noeleen learned this ancient art form of the Interior Dakelh from her mother and grandmother who instilled in her the spiritual principles related to the harvesting and making of baskets. Among Noeleen’s accomplishments is the building of an 18-foot birch bark canoe, now part of the McLeod Lake Band Cultural Centre and one currently under construction funded through the Aboriginal Arts Development Awards to teach youth the traditional art form of birch bark canoe making. Noeleen is committed to educating others, including her daughter, about her craft and its historical traditions. Noeleen has created baskets for many galleries and private collectors.



Isabel Rorick, Haida

Hornby Island

Isabel Rorick carries on a tradition handed down from her family. Her art is weaving, most notably spruce root weaving of traditional Haida hats and basketry. Isabel first became aware of the art at the age of 13 when her grandmother from Ketchikan, Alaska brought cedar baskets to her in Haida Gwaii. Isabel began weaving seriously at the age of 19 and under the guidance of her grandmother mastered the fine and complex art of spruce root weaving, which includes the very careful and respectful harvesting of the roots themselves in the forest. She has dedicated her life to learning techniques almost lost in the haze of time, by reading, visiting museums and refining spruce root weaving to an art form recognized around the world.







Nora Newlands

Executive Director

BC Achievement Foundation

604 261-3348


Bridgitte Anderson

Press Secretary

Office of the Premier

604 307-7177






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